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09/27/2005 Archived Entry: "No Direction Home II"

No Direction Home II
Scot begins the talk on last night's airing of part I of No Direction Home.
I love the allusive nature of Dylan as interviewee. The way he avoids telling the interviewer what he wants to hear:
"Just because you take someone's side who's oppressed, that doesn't mean you're political."
"I know the stories about why I took that name. I don't know if they're true. The name just came to me. I was from nowhere being no one."
"They're just songs. They don't mean nothing."
There is no direction here; rambling, associations, turns, stops. This is the opposite of the celebrity interview the Howard Stern show ends with most days - a mockery of cliché and trite interviews set up to promote a new film: "How was it working with X?" "It was so wonderful. X is such a professional!"
SNORE.
Our best moments are often found in allusiveness or moments which lack a meaning we can pinpoint or clarify. Why did my parents bring home Blonde on Blonde for me when I was 12? Why were they going to a record store anyway (my parents in a record store?). It's an allusive personal moment - a moment tied explicitly to popular culture and my own sense of identity. I can’t explain it, but I remember it, I use it, I work within it.
In No Direction Home, I see a lot of that process at work. “Something is happening/And you don’t know what it is…” Whether Dylan fakes it or not doesn't matter to me. No matte how hard Scorsese tries to frame Dylan in a cliché way (Civil Rights/the ‘60s/Newport/Baez), Dylan somehow sneaks back in as the weird, drifting figure who is not really beyond all this; he's just not a part of any of this.
Another way of thinking about this title: HOME is the comfortable dwelling place(s) we choose: Our ethos. Dylan is a comfortable home for American culture when he is framed as champion of the ‘60s/”Blowin’ in the Wind kind of folk hero.
But that’s nowhere, man!
Nowhere home is the uncanny experience of not having this fixed dwelling, of not giving a damn about the ethical/ethos experience. It is allusive-identity formation.

Replies: 1 Comment

I caught this by accident when I landed on PBS, but I'm glad I did. I found myself wondering why Dylan agreed to this, but he's spent his whole life being packaged and defined by others, so why not do it himself? If it's real or just an act, it doesn't really matter in the end. It's just entertainment, but he's among the best.

Posted by The Platypus @ 09/27/2005 02:59 PM EST

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